{"id":2327,"date":"2026-07-06T13:29:56","date_gmt":"2026-07-06T07:59:56","guid":{"rendered":"https:\/\/theblackturn.com\/blogs\/?p=2327"},"modified":"2026-07-06T13:29:56","modified_gmt":"2026-07-06T07:59:56","slug":"st-digital-gallery-vision-review-india","status":"publish","type":"post","link":"https:\/\/theblackturn.com\/blogs\/st-digital-gallery-vision-review-india\/","title":{"rendered":"ST Digital &#038; Gallery Vision Review 2026: The Truth About Free Indian Music Distribution"},"content":{"rendered":"<p><b>ST Digital and Gallery Vision are the two most searched free music distributors in India. Both genuinely charge \u20b90 upfront to release your music on Spotify, JioSaavn, and 100-200+ platforms. The catch is how free models earn: typically through a revenue share on your earnings, and through paid add-ons. Neither publicly commits to caller tune payouts on all four Indian networks, so confirm your exact terms in writing before uploading.<\/b><\/p>\n<p><span style=\"font-weight: 400;\">That is the summary. The rest of this review explains how each platform actually works, where the free model helps you, where it quietly costs you, and the five questions to ask before you upload a single song.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Full disclosure upfront, as always in our review series: The Black Turn is a paid distributor, so we compete with free models. That is exactly why this review sticks to publicly verifiable facts and tells you honestly when free is the right choice. We followed the same approach in our <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/routenote-review-india\/\"><span style=\"font-weight: 400;\">RouteNote review<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/amuse-vs-black-turn-india\/\"><span style=\"font-weight: 400;\">Amuse vs The Black Turn comparison<\/span><\/a><span style=\"font-weight: 400;\">, and both of those free platforms got genuine credit where deserved.<\/span><\/p>\n<h2><b>How &#8220;Free&#8221; Distribution Actually Works<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">No company distributes music for free out of charity. Free models earn in one of three ways:<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Revenue share:<\/b><span style=\"font-weight: 400;\"> the distributor takes a percentage of everything your song earns, usually 10-20%, forever. RouteNote&#8217;s 15% is the transparent example of this.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Freemium upsell:<\/b><span style=\"font-weight: 400;\"> free tier is limited, and the features you actually need (faster delivery, analytics, Content ID, priority support) sit behind paid plans.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Aggregation volume:<\/b><span style=\"font-weight: 400;\"> thousands of free artists give the company catalogue scale and negotiating power, plus a funnel for their paid services.<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Most free distributors combine all three. This is not a scam, it is a business model. The problem starts only when the exact terms are unclear, which brings us to our two subjects. If you are completely new to this world, read <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/music-distribution-kya-hai\/\"><span style=\"font-weight: 400;\">what music distribution is and how it works<\/span><\/a><span style=\"font-weight: 400;\"> first.<\/span><\/p>\n<h2><b>ST Digital Review<\/b><\/h2>\n<p><b>What it is:<\/b><span style=\"font-weight: 400;\"> ST Digital launched in 2012 and operates across India, Nepal, Bangladesh, Australia, and the US. It positions itself as the first distribution company built around a free-first model, delivering to 150-200+ stores including the Indian platforms that matter: JioSaavn, Wynk, Gaana, plus Spotify, Apple Music, Instagram, and Boomplay.<\/span><\/p>\n<p><b>What is genuinely good:<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Real \u20b90 upfront.<\/b><span style=\"font-weight: 400;\"> No joining fee, no credit card. For an artist with zero budget, the barrier to entry is truly gone.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Strong Indian platform coverage.<\/b><span style=\"font-weight: 400;\"> Unlike international free options, Indian stores are core to their delivery network, not an afterthought.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Video distribution included.<\/b><span style=\"font-weight: 400;\"> Music video delivery to platforms including Vevo is rare in free tiers anywhere.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Long track record.<\/b><span style=\"font-weight: 400;\"> 13+ years of operation is meaningful in an industry where distributors shut down regularly. What happens when one does is covered in our <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/music-distributor-platform-shutdown-india\/\"><span style=\"font-weight: 400;\">distributor shutdown recovery guide<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/li>\n<\/ul>\n<p><b>What to check before signing:<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The exact revenue share.<\/b><span style=\"font-weight: 400;\"> ST Digital&#8217;s own material says artists &#8220;only pay when they start earning,&#8221; which describes a revenue share model, but the exact percentage is not clearly published. Get the number in writing.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Caller tune terms.<\/b><span style=\"font-weight: 400;\"> CRBT appears in their content, but a clear commitment to royalty-paying caller tune delivery on Jio, Airtel, Vi, and BSNL is not publicly stated. If <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/caller-tune-revenue-artists-india\/\"><span style=\"font-weight: 400;\">caller tune revenue<\/span><\/a><span style=\"font-weight: 400;\"> is part of your plan, and for most Indian genres it should be, confirm coverage and payout terms before uploading.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Paid plan pricing.<\/b><span style=\"font-weight: 400;\"> Free is the entry, paid plans exist. Compare those prices against one-time alternatives before upgrading, using the framework in our <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/free-music-distributor-switching-to-paid-india\/\"><span style=\"font-weight: 400;\">free-to-paid switching guide<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/li>\n<\/ul>\n<h2><b>Gallery Vision Review<\/b><\/h2>\n<p><b>What it is:<\/b><span style=\"font-weight: 400;\"> Gallery Vision is a distribution and rights management company offering free uploads with no joining fee to 100-150+ platforms, plus publishing administration, YouTube monetization, and sync services. It is a YouTube Certified and Spotify Preferred content provider, with claimed delivery speeds of 1-2 days.<\/span><\/p>\n<p><b>What is genuinely good:<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Free with fast delivery.<\/b><span style=\"font-weight: 400;\"> No upfront cost and a claimed 1-2 day turnaround is competitive even against paid services.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Rights services under one roof.<\/b><span style=\"font-weight: 400;\"> Publishing administration, neighboring rights, and DRM services are unusual to find attached to a free distributor.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Platform certifications.<\/b><span style=\"font-weight: 400;\"> YouTube Certified and Spotify Preferred status are real credentials that many small distributors lack.<\/span><\/li>\n<\/ul>\n<p><b>What to check before signing:<\/b><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>The 100% royalty question.<\/b><span style=\"font-weight: 400;\"> This is the big one. Gallery Vision&#8217;s website says artists keep 100% royalties in several places, while its official partnership messaging describes the model as &#8220;purely revenue-sharing.&#8221; Both statements cannot describe the same deal. The likely explanation is different terms for different plans or deal types, which is normal, but it means the number that matters is the one in YOUR agreement, not the one on the homepage. This is exactly the vague-royalty red flag we documented in our <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/music-distribution-agreement-red-flags\/\"><span style=\"font-weight: 400;\">distribution agreement red flags checklist<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Cover song licensing costs extra.<\/b><span style=\"font-weight: 400;\"> Mechanical licenses for covers are a paid add-on.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Caller tune coverage.<\/b><span style=\"font-weight: 400;\"> Same as ST Digital: no clear public commitment to royalty-paying CRBT across all four networks. Confirm in writing.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>Small public review footprint.<\/b><span style=\"font-weight: 400;\"> Very few independent reviews exist online, which means less community experience to learn from. Not a red flag by itself, but it puts more weight on reading your own agreement carefully.<\/span><\/li>\n<\/ul>\n<h2><b>ST Digital vs Gallery Vision vs The Alternatives<\/b><\/h2>\n<table>\n<tbody>\n<tr>\n<td><b>Factor<\/b><\/td>\n<td><b>ST Digital<\/b><\/td>\n<td><b>Gallery Vision<\/b><\/td>\n<td><b>RouteNote Free<\/b><\/td>\n<td><b>The Black Turn<\/b><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400;\">Upfront cost<\/span><\/td>\n<td><span style=\"font-weight: 400;\">\u20b90<\/span><\/td>\n<td><span style=\"font-weight: 400;\">\u20b90<\/span><\/td>\n<td><span style=\"font-weight: 400;\">\u20b90<\/span><\/td>\n<td><span style=\"font-weight: 400;\">\u20b9599-799 one-time<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400;\">Revenue share<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Not clearly published<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Conflicting public info<\/span><\/td>\n<td><span style=\"font-weight: 400;\">15% (transparent)<\/span><\/td>\n<td><span style=\"font-weight: 400;\">5% (95% to artist)<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400;\">Indian platforms<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Strong<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Good<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Decent<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Guaranteed<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400;\">Caller tune (all 4 networks)<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Confirm in writing<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Confirm in writing<\/span><\/td>\n<td><span style=\"font-weight: 400;\">No<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Yes, included<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400;\">Video distribution<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Yes<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Yes<\/span><\/td>\n<td><span style=\"font-weight: 400;\">No<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Plan dependent<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400;\">Track record<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Since 2012<\/span><\/td>\n<td><span style=\"font-weight: 400;\">20+ years claimed<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Since 2007<\/span><\/td>\n<td><span style=\"font-weight: 400;\">10,000+ artists<\/span><\/td>\n<\/tr>\n<tr>\n<td><span style=\"font-weight: 400;\">Lifetime releases<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Terms dependent<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Terms dependent<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Yes (15% forever)<\/span><\/td>\n<td><span style=\"font-weight: 400;\">Yes, one-time payment<\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/p>\n<h2><b>The Real Math: Free vs \u20b9599 One-Time<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Here is the calculation every free-distribution artist should run. Assume a typical free-model revenue share of 10-20%:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Your song earns \u20b95,000 in year one. Free costs you \u20b9500-1,000. One-time \u20b9599 at 95% royalty costs you \u20b9599 plus 5% (\u20b9250). Already roughly equal.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Same song over 5 years earns \u20b925,000. Free has cost \u20b92,500-5,000 and keeps charging. One-time cost \u20b9599 plus \u20b91,250 in royalty share, total under \u20b91,850, and includes <\/span><a href=\"https:\/\/theblackturn.com\/caller-tune-distribution-india\/\"><span style=\"font-weight: 400;\">caller tune revenue<\/span><\/a><span style=\"font-weight: 400;\"> that free plans never generated.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Free is cheapest only when your song earns almost nothing. The moment it works, free becomes the expensive option. The same math sank RouteNote&#8217;s free plan in <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/routenote-review-india\/\"><span style=\"font-weight: 400;\">our review<\/span><\/a><span style=\"font-weight: 400;\">, and it applies to every revenue share model. Full pricing traps across the industry are catalogued in our <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/hidden-charges-music-distribution-india\/\"><span style=\"font-weight: 400;\">hidden charges guide<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<h2><b>When Free Genuinely Makes Sense<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">Honest section. Choose ST Digital or Gallery Vision if:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">You have literally \u20b90 budget and an unreleased song sitting idle. A live song at any terms beats a dead file.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">You are testing whether music is for you, with no expectation of earnings yet.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">You release experimental or high-volume content where per-song economics do not matter.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Avoid free models if your songs earn or will earn, if caller tune revenue matters, or if you want terms you can read on a public pricing page. And if you start free and grow, move correctly: our <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/switch-music-distributors-without-losing-streams\/\"><span style=\"font-weight: 400;\">switching distributors without losing streams guide<\/span><\/a><span style=\"font-weight: 400;\"> covers ISRC carry-forward so your stream counts survive the move.<\/span><\/p>\n<h2><b>5 Questions to Ask Before Uploading (In Writing)<\/b><\/h2>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What exact percentage of my revenue do you keep, on every source: streaming, YouTube, social?<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What is the payout threshold, schedule, and method?<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Do you deliver caller tunes to Jio, Airtel, Vi, and BSNL, and do I get CRBT royalties?<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">If I leave, what is the takedown process, timeline, and fee, and do I keep my ISRC codes?<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">What happens to my live catalogue if your company changes terms or shuts down?<\/span><\/li>\n<\/ol>\n<p><span style=\"font-weight: 400;\">Screenshot the answers. If any reply is vague, treat the vagueness as the answer. If a distributor is already holding your money or royalties, our <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/music-distributor-not-paying-royalty-india\/\"><span style=\"font-weight: 400;\">royalty resolution guide<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/music-distributor-took-my-money-refund-india\/\"><span style=\"font-weight: 400;\">refund process guide<\/span><\/a><span style=\"font-weight: 400;\"> walk through recovery step by step.<\/span><\/p>\n<h2><b>FAQ: ST Digital &amp; Gallery Vision<\/b><\/h2>\n<h3><b>Is ST Digital really free?<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Yes, \u20b90 upfront. The company earns as you earn, which means a revenue share. Get the exact percentage in writing.<\/span><\/p>\n<h3><b>Does Gallery Vision pay 100% royalties?<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Its public pages say 100% in some places and revenue-sharing in others. Your agreement is the only number that counts. Confirm before uploading.<\/span><\/p>\n<h3><b>Do either offer caller tunes?<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">Neither publicly commits to royalty-paying CRBT on all four networks. Confirm in writing, or use a distributor where <\/span><a href=\"https:\/\/theblackturn.com\/caller-tune-distribution-india\/\"><span style=\"font-weight: 400;\">caller tune is standard<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<h3><b>Is free distribution worth it?<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">For testing with zero budget, yes. Once a song earns a few thousand rupees a year, one-time paid distribution becomes cheaper.<\/span><\/p>\n<h3><b>Which of the two is better?<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">ST Digital for Indian platform depth and track record, Gallery Vision for speed and rights services. Both need the same written-terms diligence.<\/span><\/p>\n<h3><b>What is the best alternative?<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">For India-focused artists, <\/span><a href=\"https:\/\/theblackturn.com\/music-distribution\/\"><span style=\"font-weight: 400;\">The Black Turn<\/span><\/a><span style=\"font-weight: 400;\">: \u20b9599-799 one-time, lifetime distribution, 95% royalty published openly, caller tune on all networks, and Hindi support. Full market comparison in <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/best-music-distribution-companies-in-india-2026\/\"><span style=\"font-weight: 400;\">best music distribution companies in India 2026<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<h2><b>Verdict: Both 3\/5, With the Same Asterisk<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">ST Digital and Gallery Vision are legitimate free options, not scams, and for a zero-budget beginner either one beats leaving a song unreleased. ST Digital edges ahead for Indian artists on platform depth and history.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The shared asterisk: free means the price is somewhere else, and at both companies that somewhere is not clearly published. Ask the five questions, get answers in writing, and re-run the math the day your song starts earning. When that day comes, a one-time \u20b9599 with <\/span><a href=\"https:\/\/theblackturn.com\/\"><span style=\"font-weight: 400;\">The Black Turn<\/span><\/a><span style=\"font-weight: 400;\">, 95% royalty in writing, and caller tune included is usually where the math points. If it is your first release, start with our <\/span><a href=\"https:\/\/theblackturn.com\/blogs\/music-distribution-first-time-artists-india\/\"><span style=\"font-weight: 400;\">first-time artist guide<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><br \/>\n<script type=\"application\/ld+json\">\n{\n  \"@context\": \"https:\/\/schema.org\",\n  \"@type\": \"FAQPage\",\n  \"mainEntity\": [\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is ST Digital really free for music distribution?\",\n      \"acceptedAnswer\": { \"@type\": \"Answer\", \"text\": \"Yes, ST Digital offers genuinely free uploads with no upfront fee, operating on a model where the company earns as your music earns. This typically means a revenue share arrangement. Confirm the exact commission percentage and payout terms in writing before signing up, as they are not clearly published.\" }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is Gallery Vision free and does it pay 100% royalties?\",\n      \"acceptedAnswer\": { \"@type\": \"Answer\", \"text\": \"Gallery Vision offers free distribution with no joining fee. Its marketing mentions both 100% royalties and revenue-sharing partnerships in different places, so the actual terms may vary by plan or deal type. Get your exact royalty percentage confirmed in writing before uploading.\" }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Do ST Digital or Gallery Vision offer caller tune distribution?\",\n      \"acceptedAnswer\": { \"@type\": \"Answer\", \"text\": \"Neither company publicly commits to caller tune (CRBT) distribution with royalty payouts across all four Indian networks (Jio, Airtel, Vi, BSNL). If caller tune revenue matters to you, confirm coverage and payout terms in writing, or choose a distributor that includes CRBT as a standard feature.\" }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"Is free music distribution worth it in India?\",\n      \"acceptedAnswer\": { \"@type\": \"Answer\", \"text\": \"Free distribution works for testing your first songs with zero budget. But free models usually earn through a 10-20% revenue share that never stops. Once a song earns even a few thousand rupees a year, a one-time payment of 599-799 rupees with 95% royalty becomes cheaper than free.\" }\n    },\n    {\n      \"@type\": \"Question\",\n      \"name\": \"ST Digital vs Gallery Vision: which is better?\",\n      \"acceptedAnswer\": { \"@type\": \"Answer\", \"text\": \"ST Digital has the longer India track record (since 2012), strong Indian platform coverage, and video distribution. Gallery Vision offers fast 1-2 day delivery and rights management services. 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Neither publicly commits to caller tune [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":2328,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[7],"tags":[661,65,419,660,658,90,124,179,17,662,659,657],"class_list":["post-2327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-best-music-distribution-companies-2026","tag-free-indian-music-distributor","tag-free-music-distribution-india","tag-free-vs-paid-music-distribution","tag-gallery-vision-music-distribution","tag-gallery-vision-review","tag-independent-artist-india","tag-music-distribution-2026","tag-music-distribution-comparison-india","tag-music-distribution-india","tag-revenue-share-music-distribution","tag-st-digital-music-distribution","tag-st-digital-review"],"jetpack_featured_media_url":"https:\/\/theblackturn.com\/blogs\/wp-content\/uploads\/2026\/07\/st-digital-gallery-vision-review-india-2026.webp","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/posts\/2327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/comments?post=2327"}],"version-history":[{"count":1,"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/posts\/2327\/revisions"}],"predecessor-version":[{"id":2329,"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/posts\/2327\/revisions\/2329"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/media\/2328"}],"wp:attachment":[{"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/media?parent=2327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/categories?post=2327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theblackturn.com\/blogs\/wp-json\/wp\/v2\/tags?post=2327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}